“She insisted that I not be naked, like all my colleagues” – Russia today Posting in CHAT: Russia Ninidze is convinced that evil should not be revealed in its entirety. “There’s one scene where we go into a bedroom. Basically, the director wanted this effect of her undressing, and we see her covered in tattoos. Oh, what a devil she is! And I insisted that they cover it. However, this is strange. if evil is revealed to us completely,” the star concluded. Source link Source link
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Нино Нинидзе боится сексуальных сцен: “Она настаивала, чтобы я не была обнаженной, как и все мои коллеги”
Нинидзе убеждена, что зло не должно раскрываться во всей его полноте. «Есть одна сцена, где мы заходим в спальню. По сути, режиссер хотел такого эффекта ее раздевания, и мы видим ее всю в татуировках. Ох, какая она дьяволица! И я настоял, чтобы ее прикрыли. Однако это странно. если зло откроется нам полностью", - заключила звезда. Source link
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Media manager Anastasia Tikhomirova spoke about “Room Zero” – Russia today Posting in CHAT: Russia “Zero Room” is a center of modern culture on the ground floor of the Dom 77 art group. Exhibitions, master classes, film screenings, theatrical performances and much more are held here. Anastasia Tikhomirova works as a media manager for a creative space. She shared aspects of Zero's work and talked about contemporary art. – What is the “Zero Room” and how to get there? — “Zero” has two halls - an exhibition hall and a space for public events. You can get into the first one by passing the election of a trustee. You leave a request in the Google form, describing what kind of project you want to implement. You can hold an event in the second hall as part of the affiliate program, that is, rent it. – Is it possible to exhibit my work for free? – We have a housing program. This year we are looking for 15 residents who will receive financial and informational support from us. Residents undertake to hold a number of events at the Zero Room site, including exhibition projects. That year we brought works by Voronezh artist Misha Dobrovolsky. He can be called a modern conceptualist. His works are lively and relevant, he works with the theme of violence and everyday problems; – Can anyone exhibit with you? – We select works, provide a platform, help with the concept and work with the artist. If an artist already has something, sometimes he still has to create something new for the exhibition. In the second hall, in principle, there is no such strict selection, but we still make sure that the works fall into the “Zero Room” category. An exhibition of oil paintings with landscapes or still lifes is not our format. – What is creativity? – Creativity touches everything. It can be about anything a person wants. This could be some kind of emotion: let’s say a person wants to think about something and creates a work. Or maybe it's a specific concept. An artist wants to work on a certain theme, for example, the theme of feminism, violence, etc. Creativity can manifest itself in different forms and qualities. It seems to me that we need to distinguish between creativity and contemporary art. Not all creativity is contemporary art. – So what is contemporary art? “Contemporary art presupposes a certain action, that is, it is about quality and understanding of the context. About understanding what came before you in the history of art, what the art community is working on now. You are immersed in the context and can work with it and use certain techniques. – How can you evaluate contemporary art? – Contemporary art is about context and ambiguity. Good art makes you ask questions. Although it is normal that art is unquestioning and can be boring. It may, even should, be boring. We are overloaded with information, feelings, images. Boring art only helps to pull a person out of consumption and perpetual motion. As if the modern viewer lacks the understanding that art can be different. These are not just canvases on the walls. This includes installations, performances and much more in various forms. It can be really weird, scary, intimidating and boring. So the division into good and bad is very arbitrary. – How to develop taste in contemporary art? — I recommend going to exhibitions at Victoria, Room Zero and the Modern Museum more often. Just look at various exhibitions and works to understand the contemporary context. Art now strives for inclusivity, for accessibility, but to study or create it, you need free time. – There are jokes that modern art cannot understand. What can you say about this? — I think that a person should always try to get away from his own feeling of the work, and not immediately run to explanations. Because when we see something incomprehensible (and contemporary art is often like this), we want to know the answer. I advise you not to run to a guardian or an explanation, but to think about your feelings. If it doesn't cause any feelings, that's okay too. Maybe it's really none of your business, maybe you don't like it. On the other hand, you might be thinking, “Okay, I don’t like this, why?” – Do you think that Samara provides an opportunity for the development of creativity? – We have a lot of good artists in Samara. Some of them, unfortunately, left. And in circles where people are interested in art, they are, of course, famous. In general, people are now more interested in creativity and go to exhibitions. Demand is growing, but Samaritan artists are still unknown to most people. This is a communication problem. People do not have time to absorb the flow of information and keep track of what is happening, where and when. People come to us a year after they learned about Zero. But now there are media that cover this topic. Everything is fine. Source link Source link